First Published in Costa News Group, Jan. 2011

Hal & Jan seated and enjoying their wine at one of many tastings!

REQUIEM IN PACEM

HAL HARLEY FRIEND AND WINE WRITER

 The New Year didn’t start so well for us as we heard that our old friend and fellow wine writer and critic, Hal Harley, died on its second day. After the funeral, family, friends and the remaining members of the tasting panel we’d formed together, with Hal as one of the founders, met to toast him and celebrate his contribution to all our lives.

 Hal was a big man, in every positive sense of the word. At six feet six with matching frame it’s hard to believe that such a man was not expected to survive past his teens when, at his birth, doctors pronounced that he had a congenital heart disease. A life lived to the full into his sixties with his wife and two daughters, initially in the Midlands and subsequently in Spain, and here with the addition of a grandson, gives a lie to that prognosis.

 But to be fair to the doctors of the time as well as those of his two later sessions of ground-breaking open heart surgery, they hadn’t reckoned on Hal’s determination, or his thirst for life. Hal was a survivor and those of us who had the pleasure to know him also experienced how big he was in friendship and family love. He will be sorely missed!

 I first met Hal and his ever-supportive wife, Jan, at a restaurant in Javea where he was perusing the wine list that, unknown to him, I’d written. Before he knew who I was he mentioned that he was interested in Spanish wine, having recently emigrated from the UK to Spain, and was a keen reader of Cork Talk in an effort to learn more!

 This was the first of many, many occasions when the two of us, later supported by several others with similar interests, ‘went off on one’ about the nectar that we found in our adoptive country. Hal’s thirst for wine knowledge was never wholly sated by such willing cohorts as Pepe of La Parrilla, Javea; John of Pedregeur and maybe myself too – the only way to learn about wine is to taste it! And did we do so!

 We had countless professional style tasting sessions at each of our houses, as well as at La Parrilla, where the first hour’s tasting was taken very seriously with wines considered in depth, notes taken and observations recorded. This was duly followed by food (Hal’s speciality was an excellent Paella) and finally the official, obligatory, finishing of every wine on the table!

Hal became very knowledgeable, graduating to the level of wine writer and critic on the way, with very creditable performances in Spain’s Golden Nose Sommelier’s competition, aided and abetted by the incorrigible Pepe!

 Although not particularly religious Hal’s wine tastes were very catholic. We tasted together wines from all the main DOs (Denominaciónes de Origen, official wine producing areas) as well as many other wine making zones. He preferred reds, but was equally happy joining Jan in a quality white too, with a classy cava to start.

 Although an Enrique Mendoza and Fagus (DO Campo de Borja) devotee, perhaps Hal’s most favoured style of red was complex, deep coloured, multi-layered and full-flavoured as typified by those from Priorat. It is for this reason that I’ll be searching out a top Priorat this month to quietly sip by an open fire and reflect on an enduring friendship and a life well lived.

 Cheers Hal!

FIRST PUBLISHED IN COSTA NEWS SL SEPTEMBER 2010

WHEN IN PORTUGAL . . . . .

 . . . . .  do as the Portuguese do, and then continue when you are back in Spain, or wherever you are!

 Our family holiday in Portugal, was exactly that – a family holiday. It wasn’t an excuse for me to go off to Oporto, home of the famous fortified wine, Port. However, I reasoned, there wouldn’t be anything wrong in trying some of the aforesaid nectar whilst there, as well as some regular  Portuguese wines too. I knew I was on a winner here – Claire loves Port and trying different wines, even the children are now used to tasting!

 So, when in Portugal (and subsequently) we made sure we did as the Portuguese do. This, please note, does not mean drinking solely Ruby Port. Like Jerez (Sherry), there are several different styles of Port designed to suit different palates, occasions and food. I was in my element!

 Port is a fortified wine made by adding brandy to arrest the fermenting grape must (juice) resulting in a wine that is both sweet and high in alcohol. It derives its name from the port of Oporto, Northern Portugal, from whence this wine was shipped for over 300 years (and still is) by English merchants.

 Historically Port can trace its origins back to the 17th Century at the time of the trade wars between England and France. This made life difficult for English wine importers to access French wines and then, when King William III imposed punitive taxes on French wines, the merchants had to look elsewhere to satisfy the demand for wine amongst the English nobility. Portugal was the answer.

 Their emissaries settled on the northern coast but found at first only thin white wine (now known as Vhino Verde, though it has dramatically improved over the centuries). However on travelling up river on the now famous Duero, they found local producers making wine by a process of fast fermentation at high temperatures that resulted in a very dark and powerful wine, dubbed ‘blackstrap’ in London. In order for it to arrive in England’s capital in a drinkable condition (via a lengthy voyage) the merchants added a small amount of Brandy.

 However it was (and as a Wirralian, and Liverpool FC supporter I’m proud to say it!) a Scouser (Liverpudlian) who is credited with discovering Port as we know it, more or less, today. He found, on one of his journeys up the River Duero, a monastery where the monks were adding the Brandy during fermentation, rather than after the wine had been made. The result was the delicious sweet drink which is now world-famous!

 Ruby Port is lovely. I enjoy it at the end of a meal either on it’s own as a post-prandial drink or with cheese to finish with a flourish. Claire also enjoys it as an aperitif. It’s one of the least expensive styles of Port therefore making it accessible to everyone. It has to have had a minimum of 2 years ageing in oak but it retains a deep ruby colour (hence its name) and a mulberry flavour and nose. It’s simple and tasty and is often the Port served at the end of Christmas dinner.

 However the Portuguese shall not live by Ruby alone! Tawny Port should be a wine that has been aged in oak for much longer than a Ruby – therefore the wine loses its colour, changing to an amber-brown or tawny colour. However commercial pressures have meant a split in the Tawny camp, between traditional and modern, where ‘modern’ means a port that has a similar age to Ruby but whose colour has changed by leaving it up-river at high temperatures to ‘unnaturally’ mature the wine more quickly.

 Often such wines are made from must that is less intense in colour in the first place (from slightly inferior grapes or from the final press/crush, the best quality juice having been run off already) and sometimes even some white port is added to take away any traces of bright ruby colour. There is a demand for this style of wine, in fact largely from France, where it is often used as an aperitif.

 Aged Tawny, however, is a wine that has been left to age in oak for a minimum of six years thereby changing colour but also taking on a silky character. Such wines may have 30 years ageing written on their labels, which in effect is an approximate indication of their age as in fact Aged Tawny wines are made from blends from number of different years’ produce.

 These wines are of top quality and often have a nutty character which the Port shippers themselves often prefer to drink chilled in the summer and will go well walnuts and toasted almonds.

 Vintage Port is the most expensive style of Port, despite it being so simple to make! Wines from a single year (vintage) are blended and bottled after two or three years in oak. It remains in bottle, often having been bought by the consumer almost immediately, maturing for 15, 20, 30 years or more. The reason for its expense is that it is only made from the very best grapes from the very best vineyards, chiefly found in the Cima Corgo area, after the very best ripening conditions.

 It is a wine that combines magnificently: power, depth of flavour, body, complexity and elegance. It has to stand the rigorous test of the wine maker, who, if he is perfectly happy and indeed confident, then sends it for further analysis to the ruling committee, the IVP, before it can be declared a ‘Vintage Port’. Such wine can be drunk with strong cheeses, the traditional partnership of English Stilton and Vintage Port woks well, but this is also a wine for savouring, in small quantities, on its own.

 Late Bottled Vintage Port (LBV) is a wne made from a single year (vintage), aged in oak for between 4-6 years and then bottled. There are two types – traditional LBV is is made in good years, bottles without filtration and ready to drink about 4-6 years after bottling. I love this style of port.

 The more common LBV wines have been filtered and cold stabilized before bottling to prevent sediment. This filtering can be invasive thereby producing a slightly less fine port than the traditional LBV. It is usually therefore more economical in price.

 Vintage Character Port, is not a vintage port. It has been aged in bulk for 5-7 years and filtered before bottling. Usually it is made from premium Ruby ports so it is a quality port, though the word ‘vintage’ is a misnomer.

 Single-Quinta Vintage Ports – sound like they should be the best. It is vintage port made from a single vineyard. However although it is super, it is usually made in years when a vintage has not been declared so it is not of the very, very best quality – it’s lovely though!

 Crusted Port – is a style popular in the UK with those who like Vintage Port but with a better price! It achieves its name because of the ‘crust’ or sediment it throws as it is bottled with little or no filtration. It is made from produce of a number of different years and can be an excellent alternative to Vintage Port.

 More on my Portuguese Sojourn next week!

 P.S. Spain’s best wine magazine, Vinos De España, now has an English language section which it’s my job to expand and develop. My first article is in the current August/September edition and my next articles will be in the October/November edition. The magazines are also available from: La casa Del Vino, Javea, La Vinoteca, Calpe and A Catarlo Todo, Teulada – with more wine shops being included soon

First Published in Costa News Group, July 2010

BODEGAS LUIS ALEGRE UNVEILS

NEW RELEASES IN FINE STYLE!

 Readers will perhaps recall an article I wrote about the new-wave La Rioja Bodega Luis Alegre some months ago. The eponymous Luis Alegre decided to take on partners about 8 years ago so that the bodega he created in the 60’s could expand and change direction. He, and the new partners, wanted to up the ante and start to bottle wine of higher quality, in the new-wave Rioja style.

 Over the last two decades there has been a market-led gradual change in the style of Rioja red wines. Once the bastion of long oak-ageing there has been a slow swing to more fruit expressive wine with less time in oak and more in bottle. Bodegas Luis Alegre has been in the vanguard of the bandwagon managing to retain classic Rioja flavours and aromas with a modern more fruit driven element.

 It works well. Sales here and abroad are increasing year on year. The marketing men (and women) have become heavily involved with large advertising budgets being established, seats booked on the wine tasting road-show and attention being paid to packaging too.

 They also know the value of an article in the Costa News Group and were happy to provide wines for a recent tasting at Restaurante Vall de Cavall, in the campo just outside Gata de Gorgos! Recently this elegant restaurant opened its doors to us whilst closing them to passers-by as this event, typically, took over the whole restaurant. Some sixty people sat down to a super five-course dinner, with a Luis Alegre wine served with each course and throughout the evening beautiful classical and romantic music from the delectable duo Dolce Divas was performed live.

 We started with Luis Alegre Blanco 2009, this from their more economic range. Made with 100% Viura (aka Macabeo) the wine has a slight floral element, white rose petals perhaps, with a touch of apple. It’s a crisp, aperitif wine that slips down rather easily!

 Luis Alegre Rosado 2009 is made exclusively from Tempranillo grapes. This bodega takes use of the sorting table a little further than most others. Rather than harvesting the grapes, transporting them to the bodega and then employing the selection table to sort the best bunches from those with damaged or possible diseased grapes, Bodegas Luis Alegre takes the table to the vineyard!

 The cynic might think it a touch gimmicky, just another way of promoting your wines over the bodega down the road, and I’m sure that the marketing men have had a hand in the idea. However the theory is sound and, well, taste the wines and see for yourselves.

 Using the mobile selection table allows the staff to sort out the best bunches as above, but the difference here is that it’s only the healthy, undamaged grapes that are transported together to the bodega to begin their metamorphosis into wine. The discarded grapes are sold off or are made into bulk wine for selling. Elitist it may me, but hey, it works!

 The 2009 Rosado is the first of the wines we tasted to benefit from this philosophy. It’s only the best grapes that are used for this wine and it shows. This is lovely melange of strawberry and raspberry flavours with red rose aromas and a touch of body to make it a super paella, starter and light meat accompaniment.

 Koden 2008 is one of the new releases they asked me to showcase and its popularity on the night showed that it is likely to be a winner for a bodega, which like all others in these difficult economic times needs a regular cash-flow.

 Bodegas Luis Alegre wanted to make a wine that was economical to buy, easily accessible to drinkers who have neither the time nor the inclination to spend hours discussing its benefits and yet a wine of pedigree that still reflects the bodega’s philosophy. Now that’s a tall order. But they felt that if they can use grapes picked from very young vines whose output is prolific (6-8 years old vines) and yet treat the must (juice) in the same way as they do for the higher end wines made from old vines, they woud be able to achieve these goals.

 Again, it works! It’s a very juicy wine, super as aperitif, for light meat dishes and just for drinking with friends. I predict that this wine will be all over the bars of La Rioja, like a rash!

 Parcela No.5 2006 (another new release) is a stylish wine that bridges the gap between the modern style Rioja and the older style. A single vineyard wine, this Parcela is always likely to give grapes of top quality. The 45 years old vines have the perfect aspect to the sun, the soils are well drained and limited in nutrients and the climate and altitude of the vineyard allow sun for ripening but a dramatic night/day difference in temperatures. Tis was the best wine for me and it seemed that there was probably a 50/50 split between this and the final wine.

 Bodegas Luis Alegre Crianza has one foot firmly placed in the traditional camp where oak has played a significant part and it will thus appeal to those Spanish wine enthusiasts who cut their tasting teeth on old Rioja. However hold the wine in the mouth a little and the integrated oak makes way for full on fruit, from bottle age and grapes picked at their optimum ripeness!

First Published Costa News Group June 2010

BODEGAS MIGUEL TORRES

A WELCOME RETURN TO THE WINES OF ONE OF SPAIN’S MOST PRESTIGIOUS BODEGAS!

I haven’t written about the wines of Bodega Miguel Torres for a couple of years now. I promise you this is not a knee-jerk reaction to the criticism I received once accusing me of being in the pay of Señor Torres, so complimentary was I about his wines. A serious wine critic must be impartial and I know that I am, and was being so when I was heaping praise on this bodega which in some ways may be considered more of a Spanish Institution rather than just a winery.

Bodegas Miguel Torres survived the dreadful troubles of the Spanish War (including heartbreaking vandalism of the building and the barricas which housed its super wines) and the subsequent depression here in Spain, whilst establishing a practically unheard of export trade, particularly in the USA.

Bodegas Miguel Torres is a shining example of how big can be beautiful – and this bodega isn’t just large, it’s huge! It now makes wines in several different areas of Spain, not only in its own backyard of Penedés, as well as in other countries, including Chile and the USA, where the current Miguel’s sister, Marimar Torres makes world class wines, specialising in Pinot Noir and Chardonnay.

You can imagine my delight therefore, when I was in Barcelona earlier this year, to be able to enjoy a tasting with Mireia Torres, Miguel’s daughter! This elegant, erudite, almost aristocratic and yet very charming young lady – certainly knows her wines and indeed, understandably has an unshakeable belief in them. Mireia has not only grown up with Torres wines but has of course studied wine too. Like many in the Torres wine portfolio, it’s an unbeatable blend!

Manso de Velasco 2006 Cabernet Sauvignon is their best wine from Chile. The vineyard from which the grapes were handpicked is 100 years old, the must (juice) has a lengthy maceration and stainless steel fermentation is followed by a year in French Oak. It’s a wine that speaks of super-mature, opulent fruit, subtle oak and bags of sunshine tempered by adequate acidity gained from higher altitude. NB as it’s from Southern Hemisphere Chile it’s roughly 6 months more advanced in its development than a European wine of the same vintage.

Perpetual 2007 is from Priorat and again is their flagship offering from this wonderful wine area where the steep mountainsides which are home to the vineyards are difficult to work but are so well drained. Also whilst the soils contain little nutritious material to feed the vines they are nevertheless full of minerals that make such an impact on the wines.

The vines for Perpetual are an average of 55 years of age. It’s a small production and the wines have a marked minerality with very dark fruit combining with spices, liquorice and some black pepper and for me just the faintest hint of the spray one might sniff when cutting a dark green pepper. It’s a big wine in the mouth (15·5% abv) and enough fruit, acidity and tannin to develop for 10 more years!

The high alcohol content surprised me. Torres is not known for abundance of alcohol (except maybe in their brandies!) and yet this is an unusually high abv (alcohol by volume). Mireia explained that over the last years all their wines are coming in with a higher abv – a natural result of climate change. There is more sunshine, higher temperatures and this results in more sugar in the grape – it’s the sugar that is converted to alcohol!

It’s a problem that is occurring to such an extent in Australia that some areas can no longer make good wine as the phenolic development of the skins (a crucial part of winemaking) is not keeping apace with the sugar development of the juice. Typically, for such a broad thinking bodega, Miguel Torres boffins are on the case with plans to make sure that this does not happen here.

For example their blends will be changing with more of the naturally lower alcohol varieties being in used to lower the overall abv. Plantings will be at higher altitudes, more leaf coverage will be encouraged and different rootstocks will be considered.

Mas Borras 2007 is 100% Pinot Noir – a notoriously difficult variety to perfect, but one that will reward the grower’s patience with some masterly wines. Grown in Penedés at about 500 meters above sea level in a specific vineyard whose soils and aspect to the sun have been carefully considered for this variety, the wine has acidity and tannin aplenty at the moment but with a lovely rich depth of fruit, again some liquorice and minerality too. Nine months in one and two year old oak and time in bottle in the cellar finish the wine. It’s a Torres classic!

Finally, for this tasting at least, we tried the wine that perhaps made Miguel Torres famous – Mas La Plana. The 2006 vintage is 100% Cabernet Sauvignon, there was a dreadful downpour during the normal harvest time, but these grapes were harvested afterwards when drying winds had done a perfect job in making sure that the grapes arrived at the winery in perfect shape.

The juice was in contact with the skins for 4 weeks to extract all the colour, flavour and tannin that are required to build a wine to last of perhaps 20 years! At the moment dark fruits come from the depths of this wine, with noticeable tannin and some minerality but it is not the finished product. This wine is one to buy now and bury in your cellar for say another 5 years and then to taste and plan when you will imbibe the rest of the case. It’s going to be a wonderful wine!